 | Album Title: Zero Escape -Virtue’s Last Reward- Original Soundtrack |
| Record Label: Sweep Record | |
| Catalog No.: SRIN-1094 | |
| Release Date: April 19, 2012 | |
| Purchase: Buy at Sweep Record |
Overview
The Zero Escape: Virtue’s Last Reward Soundtrack features the music from the PlayStation Vita and Nintendo 3DS sequel to the original game 9 Hours 9 Persons 9 Doors. Shinji Hosoe once again provides the music for the game. Unlike the first soundtrack, which intertwined the story and escape music, this soundtrack separates them into two listening experiences with the first disc being dedicated to the escape sequence compositions and the second disc featuring the story passage music. Is the soundtrack as successful as the original and does the separation of two types of tracks make for a disjointed listening experience?
Body
The album opens and closes with two themes that are very similar to one another. The first “Virtue’s Last Reward ~Orchestra~,” named after one version of the translated title of the game, is an orchestral version of the main theme established in 9 Hours 9 Persons 9 Doors. Similar to the original theme, the track progresses from its soothing opening into a compelling drum ‘n bass passage heard in the original theme, complete with the sinister and mysterious atmosphere. The album closes with “Virtue Is Its Last Reward ~Piano~,” named after the other way the original Japanese title could be translated. While similar, the addition of the piano in the first portion of the track really helps bring a bit more of a personal, romantic touch to the piece.
The first disc is dedicated to the music that plays during the escape sequences. The first, “Ambidexterity,” features similar motifs to “Unary Game” from the preceding soundtrack, but is nevertheless a unique entity. The focus for this track is very industrial, with heavy beats and sinister synthesizers. It really helps capture the essence of the original, while giving a taste for a somewhat darker soundtrack overall. Among my favorite tracks are “Cabin” and “Recreation” with their strong drum ‘n bass feel. I love the unique soundscape the former creates in conjunction with the drawn-out distorted synthesizers, while the latter encapsulates the game itself by gradually shifting in tone from its lighter introduction towards its darker conclusion. But “Pantry” is probably my favorite of the escape sequences. While it isn’t extremely melodic, it does manage to captivate through its wonderful sense of rhythm.
Compared to most of the escape sequences, “Biotope” seems like it is misplaced, though it’s hardly a bad track. I enjoy how the lighthearted nature of the melody line gives off this bubbly exuberance while the accompanying beats and rhythms help tie it to the rest of the soundtrack. Another deviation is “Data,” which takes the focus away from electronic beats in favor of an extremely industrial soundscape. Despite this, it still creates a strong feeling of dread. “Dispensary”, “Gaulem”, and “Monitor” all exhibit a very cold feeling, incorporating industrial tones, choral tones, and chiming elements, respectively. The latter is particularly impressive for its warm build-up in the B section that gives off a spacey, futuristic vibe. Rounding off the escape themes is the well-developed “Q”. The track goes through ominous moments, as well as more industrial and upbeat sections, ensuring it never sounds stale throughout its duration.
The second disc is dedicated to the story sequence music. In the tradition of most horror-influenced soundtracks, some tracks set the mood with moody soundscapes. “Sinisterness” and “Desperation” establish a fantastic ambience with their creepy synthesizer tones, while “Eeriness” incorporates some moody alien-like synthesizer passages in its latter half. One of the darkest tracks on an already dark soundtrack, “Consternation” continues to explore the demented rhythms and industrial tones featured elsewhere on the soundtrack. While effective in the game, such tracks aren’t always ideal for stand-alone listening and require listeners to be in a certain mood. A little more accessible is “Placidity”, with its incorporation of both ominous and bright piano tones; much like Resident Evil’s save room themes, it provides some solace in an otherwise brutal experience. Likewise, while “Divulgation” and “Demise” also feature very dark, industrial tones and intricate rhythms, they incorporate a melodic focus.
“Confession” is one of the more poignant themes on the soundtrack. Primarily heartfelt and touching, piano dominates the track, creating a beautiful atmosphere and melody. However, I think the most touching portion of the track is when the crystalline synthesizer in the accompaniment offers a very effective countermelody. “Clarification” also takes on more of a melodic sound. While it isn’t quite as tuneful, I think that it is still a very organic-sounding track that covers both a sinister tone and a more homely sound, thanks to the combination of eerie synthesizers and warming acoustic guitar lines. Lastly, “Blue Bird Lamentation” is probably most comparable to “9 Years” from the preceding soundtrack in terms of use in the game. It opens with a very mysterious, almost creepy music box melody before swelling into a stunning orchestral theme that really gives off a feeling of accomplishment, yet also a bit of sadness. While I prefer the predecessor’s “9 Years,” I think that this track is also a nice, softer side of Hosoe.
Summary
In the end, I think that the Zero Escape: Virtue’s Last Reward soundtrack is as accomplished as its predecessor. Although the separation of the escape and story sequences makes for easy track identification, at times it can cause the second disc to be a bit more of a chore to listen to. Fortunately, there are plenty of gems on both discs and the overall escape tunes tend to be stronger than their predecessor’s tunes for the most part. I definitely recommend this soundtrack for fans of the first game’s soundtrack and for those who enjoy the darker, emotional side of Shinji Hosoe.
