 | Album Title: Sega Rally Revo |
| Record Label: Sumthing Else Music Works | |
| Catalog No.: SE-2034-2 | |
| Release Date: August 26, 2008 | |
| Purchase: Buy at Amazon |
Overview
The latest installment in Sega’s line of Rally games is Sega Rally Revo, the first overseas-developed title. Meant to act as a “revolution”, it features rich graphics and an enhanced game engine, which certainly makes it a considerable game. When it comes to its soundtrack, the word “revolution” would be a tad too strong. It features solid rock pieces, yet the composers Paul Arnold and Andrew Barnabas (aka Bob & Barn) didn’t reinvent the genre.
Body
Released on the Sumthing Else label in August 2008, the 13-track album exists in both CD and MP3 forms. Surprisingly, the CD release is somewhat cheap-looking with its plain text formatting and a tracklist sorted by alphabetical order. But once the disc is in the player or ripped to a portable player, this is no big deal. Thankfully, the poor aspect is limited to the album’s exterior, visual presentation. Indeed, the music has a rich sound, indicative of a quality studio production. The genre is rock, featuring plenty of live performances of loud guitar riffs and driving drum and bass lines. Other elements were also thrown in the mix to differentiate the themes, such as the City of Prague Philharmonic string section, ethnic woodwinds, and various electronic sounds.
This is the first take on a full body of rock by Bob & Barn. They opted for a sound that could be described as medium-to-heavy rock, in the vein of Guns N’ Roses and Aerosmith. As a whole, the soundtrack is uniform. While all tracks fit together, there is still a number of different themes to be found, coming from the different race locations. Each location is represented by two tracks, except for Lakeside, which has only one. Aside from the recurrent rock ensemble, the distinguishing elements include a horn section (quite synthetic sounding!) in Alpine, icy and crystalline synths in Arctic, slightly western-esque strings in Canyon, more prominent rhythms and electronics in Menu, tribal rhythms and flutes in Safari, and wood percussion in Tropical.
The music found on this album is of high quality. There is no real problem concerning what is present, but what is missing represents an important weakness. What is actually missing is strong melodies, especially in the form of guitar or keyboard solos. This kind of material is screaming for such solos, but sadly there are none to be found. There are, however, many different guitar effects such as noodling, burning, flange, wah-wah, and more, and the compositions are evolving, yet in the end the tracks are missing this small plus that would make them really memorable.
Summary
Still better than a lot of rock game music out there, these cool grooves should work very well as background music in-game. However, for out-of-context listens, it might be easier to appreciate the music by hearing a track once in a while in a shuffled playlist than by tackling the whole album in one go. Melody maniacs should skip this soundtrack, but those who usually appreciate heavy, but not downer rock jams without elaborate solos might find Sega Rally Revo to be an enjoyable experience.
