Paper Mario Original Soundtrack

	Album Title: Paper Mario Original Soundtrack
	Record Label: Enterbrain
	Catalog No.: FMCN-1002
	Release Date: September 21, 2000
	Purchase: Buy Used Copy

Review

The original Super Mario RPG was a delightful title to come from Nintendo (thanks to a strong teamwork effort with SquareSoft), and the soundtrack composed by Yoko Shimomura ranks up there with Nintendo’s best soundtracks ever. The semi-sequel, Paper Mario (Mario Story in Japan), however, is another story (no pun intended). Subtitled as the sequel to Super Mario RPG for years, this game is not developed by Square at all (because they broke their ties with Nintendo so many years ago, despite recently reunitign), but by Intelligent Systems, responsible for Nintendo’s prized Fire Emblem RPG series. In addition, the score is not composed by Yoko Shimomura (well, she was a member of Square, after all), but by Yuka Tsujiyoko (who, incidentally, composed the Fire Emblem scores).

How good is the music to Paper Mario, really? Well, when I first listened to it, I was pretty disappointed; even though it has its moments of fun, Paper Mario Original Soundtrack seems more… well, flat. As such, I honestly disliked this soundtrack, even after listening to it again. However, when I played the game, which features a thin, paper cut Mario(!) against fully-rendered backgrounds, I discovered that it was probably fitting that a flat score would be suitable for this kind of game. Of course, this is not to say I value the music of Paper Mario as highly as Super Mario RPG, but from playing the game, I realize that this soundtrack can hold its own ground.

Body

As can be expected with Mario soundtracks, there are rearranged renditions of Mario tunes, and Yuka Tsujiyoko does deserve credit for pulling off the job. Most of the tracks are recognizable from Super Mario Bros. 3, particularly “The Noko Bros.’s Fortress”, which starts off the first notes of the “Fortress BGM” from that game. “Evade The Kuri Cannon And Charge Forward!” is a more frenzied remix of the “Airship BGM” from Super Mario Bros. 3 as well. There is also the classic Mario theme, which unfortunately sounds like it could come out of the NES — it is just plain tinny and synthy. The popular “Ending” from Super Mario Bros. (used in just about every Mario game to date as well) makes an appearance on “Princess Peach’s Party”, but it unfortunately gets monotonous, annoying, and repetitive fast. Probably the biggest surprise was a remix of the “Title Theme” from Yoshi’s Island. I never expected to hear this snappy, catchy track reappear, so I was quite thrilled at it. (“Oh No, A Lost Child! We Should Do Something!” also reprises the theme – only it sounds more like a record being played at first high speed, then s-l-o-w speed; a humorous touch.) It is also possible to hear hints of the Super Mario World main theme on “Let’s Start The Parade”. There are other Mario remixes scattered throughout the soundtrack, but to name them all would be time consuming.

The new themes, however, are more like a mixed bag of tricks, ranging from delightfully catchy to lame and forgettable. The main theme for Paper Mario is bouncy, though strangely not as gripping an overture as “Happy Adventure, Delightful Adventure” from Super Mario RPG. The new theme for Bowser is awful, and more monotonous than menacing. Even the final battle tracks containing Bowser’s theme are unexciting; “Angry Koopa (Power Up Version)” starts out promisingly with five scary organ chords, but what follows after that dashes all expectations. I can never listen to “Over The Fields And Rivers We Go” knowing how corny it is.

The first disc contains some of the better tracks. “Town Under Kinoko Castle” is a very buoyant town theme which is a delight. The track which follows after it (a faster, livelier version of the piece) is particularly fun. Another remarkable track is “Places In Kinoko Kingdom”, where the music literally changes, depending on where you go to in Toad Town (including the ever-groovy “Underground BGM” from Super Mario Bros.). There is also a very nice new theme for Princess Peach, as well as a twinkling, heavenly concerto for the Star Spirits (including little Twink, the Star Kid). “The Wind Over Gusty Gulch Was Like Sand” is a lot of fun — a bouncy, irresistibly jamming Latin tango dance which will have you bouncing the moment the guitar and castanets begin to cook up a storm. “Go! Go! By Toy Train” is a whimsical waltz rendition of the track before it (which sets in the Shy Guy’s Toy Box), performed by what sounds like train whistle sounds. (Incidentally, this track occurs when Mario is riding on the Shy Guy Toy Box Train.)

The first half of the second disc also features some fun tracks, the best of which is “Pukopi The Great!”, an Elvis-style rock ‘n roll blues song which is snappy, wacky, and absolutely delightful. The last half of the second disc, however, is less interesting, and this is probably because I haven’t reached the end of the game (as of this writing). However, things pick up when “Let’s Start The Parade” comes up, reprising all the new themes from the game, and carried along by a great beat. As fun as this track is, along with “And The Parade Continues”, the second part of the parade finale, it sadly isn’t as memorable as “Happy Parade, Delightful Parade” from Super Mario RPG. And the way the parade themes ends is probably one of the lamest endings I have ever heard in any game soundtrack. The last song, “Mario & Peach’s Love Song” is not sappy as one would expect, but it is slow, lame, and a very disappointing way to finish off the soundtrack.

The only real serious drawback is the album release. Despite being a two CD set, this album is missing a lot of the tracks that from the game, including a remix of the “World 1 Map” music from Super Mario Bros. 3. Perhaps the album producers didn’t want to make this release too expensive, but why exclude some of the best tracks from the game? On the other hand, not too many people would be interested in having all the music from the game… especially when it is only so-so. (I have not seen the American version that Nintendo has announced for its Nintendo Power magazine subscribers, but it is identical to this release. Could it be that Nintendo is finally getting it right?).

Summary

If you are expecting another Super Mario RPG, then the Paper Mario Original Soundtrack may disappoint you. Others who have never heard of Mario will not even care about hunting for this soundtrack, much less owning it. Indeed, like the Mario Tennis Original Soundtrack and The Legend of Zelda -Majora’s Mask- Orchestrations, this album was only available from Japanese publisher Enterbrain and is now long out-of-print. VGM World is temporarily stocking new copies, but this does not reflect any sort of reprint, and any available stocks are very limited. But if you are a loyal Nintendo junkie and Mario fan who can overlook its flaws and evaluate it for its merits (which is what I eventually learned to do), then the Paper Mario Original Soundtrack is the album for you.